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*HOT* Tech News And Downloads, I Would Read This Thread And Post Any Good Info
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27. December 2006 @ 11:43 _ Link to this message    Send private message to this user   
Apple Quietly Fixes iPod Shuffle No-Play Problem
Dec 27, 2006 - 12:33 PM - by Digital Dave
If you're a proud owner of an iPod shuffle, you might want to look into this.

Apple Computer has updated a utility meant to be a last-ditch move by iPod shuffle users who recently bought tracks on iTunes but couldn't get the music to play.

News.com Post


Apple Computer has updated a utility meant to be a last-ditch move by iPod shuffle users who recently bought tracks on iTunes but couldn't get the music to play.

The "iPod shuffle Reset Utility" version 1.0.1 is an upgrade from an October release that was designed to fix first-generation iPod shuffles that wouldn't play music, synchronize with the iTunes music store, or be recognized as legitimate USB devices by Windows or Mac
OS X operating systems. That month, Apple tacitly acknowledged that an iTunes update caused the problems with some iPod shuffle players, and recommended that users upgrade to iTunes 7.0.2 and restore the player using the utility.

Although Apple was officially mum about the reason it updated the utility to 1.0.1, iPod shuffle users reported that it fixed a flaw that prevented the device from playing tracks bought on iTunes or caused it to skip purchased songs. "Just posting back to confirm that the [new] version works and resolves the problem I and everyone else had with the first generation shuffles skipping/not playing iTunes music store-purchased music," wrote a user identified as "iBook fan."

The iPod shuffle-iTunes problem first cropped up in November, according to a blog titled "The Unfriendly Shuffle."

"Around November 2006 something very annoying happened: most of the newest releases (from November to now) on the iTunes store, although working with iTunes, are not shuffle-compatible," an entry from last week read.

The first-generation iPod shuffle -- which was sold in 512 Mbyte- and 1 Gbyte-capacity models -- debuted nearly two years ago, but has been replaced by the much smaller 1 Gbyte clip-on second-generation shuffle.

The 1.0.1 version of the shuffle reset utility can be downloaded in versions for Windows or Mac from the Apple Web site.
http://news.yahoo.com/s/cmp/20061227/tc_cmp/1967
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27. December 2006 @ 17:22 _ Link to this message    Send private message to this user   
. GOOGLE TALK........... We recommend this highly! Every Saturday for the last 6 weeks we've spent 4 or more hours on Google Talk with a friend in Australia working on a project. No lost connections, great sound quality. Beats every other internet phone service we've seen.....(free).....GO THERE!
http://www.google.com/talk/



hey say talk is cheap. With Google Talk, it?s free--and fast.

Google Talk offers:

* Flexibility: Get in touch with an IM, email, or a call

* Quality: Enjoy fast file transfer and high quality voice calls

* Convenience: Reach all your Google Talk contacts, with just a click

Google Talk is in beta and requires a Gmail or Google Account username and password. If you don't have a Google Account or have not enabled your Google Account for Google Talk, sign up here.

Google Talk's voicemail and Gmail notification features are only available if you signed in using your Gmail username and password.

This message has been edited since posting. Last time this message was edited on 27. December 2006 @ 17:24

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28. December 2006 @ 05:57 _ Link to this message    Send private message to this user   
Big 4 record labels attack Germany

p2pnet.net News:- Warner Music, EMI, Vivendi Universal and Sony BMG, members of the Big 4 Organized Music cartel, have instructed their IFPI (International Federation of Phonographic Industry) to significantly increase the number of attacks on their customers in Germany in 2007.

"IFPI Germany CEO Peter Zombik told reporters that his association has sued 20,000 file sharing users since early 2004. Next year the plan to sue 1,000 P2P users per month," says P2P Blog, going on:

"The German music industry has been very aggressive in pursuing P2P users. Criminal lawsuits are used as a tool to reveal the identity of suscpected file sharers. Once the industry knows their names, file sharers get slapped by an additional civil suit, which usually ends with an out of court settlement. The average settlement amount is 3000 Euro (about 4000 US dollars)."

But, "The mass persecution doesn't seem to have any lasting impact on the popularity of file sharing in Germany," says the story, adding:

"Traffic management company Ipoque estimates that at nighttime 70 percent of overall internet traffic is caused by P2P applications. About 53 percent of that traffic is caused by Bittorrent. Emule, which has been traditionally strong in Germany, accounts for 43 percent."

The "mass persecution" isn't making any kind of difference anywhere else, either, statements to the contrary from Big Music mouthieces notwithstanding.
If your Net access is blocked by government restrictions, try Psiphon from the Citizen Lab at the University of Toronto's Munk Centre for International Studies. Go here for the official download, here for the p2pnet download, and here for details. And if you're Chinese and you're looking for a way to access independent Internet news sources, try Freegate, the DIT program written to help Chinese citizens circumvent web site blocking outside of China. Download it here.

Also See:
P2P Blog - German music industry wants to sue 1000 P2P users per month, December 27, 2006
any kind of difference - P2p file sharing escalates, July 3, 2006

p2pnet newsfeeds for your site | | rss feed: http://p2pnet.net/p2p.rss | | Mobile - http://p2pnet.net/index-wml.php

(Thursday 28th December 2006)
http://p2pnet.net/story/10850?PHPSESSID=...aecc525b655f085
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28. December 2006 @ 17:19 _ Link to this message    Send private message to this user   
AllofMP3: RIAA lawsuit is "unjustified"

12/28/2006 8:13:17 PM, by Nate Anderson

After being sued in US federal court last week by the RIAA, AllofMP3 has made clear that it has no intention of buckling under the mounting international pressure. In a statement sent to Ars Technica, the company said, "This suit is unjustified as AllofMP3.com does not operate in New York. Certainly the labels are free to file any suit they wish, despite knowing full well that AllofMP3.com operates legally in Russia. In the mean time, AllofMP3.com plans to continue to operate legally and comply with all Russian laws."

The statement still doesn't answer the important question of whether AllofMP3 and its parent company Mediaservices have decided to commit their resources to a full-scale US court battle. Such a move could run to millions of dollars, but failure to appear could lead to a default judgment against them, as Spamhaus recently learned.

Should AllofMP3 show up in court, the case is unlikely to turn on the issue of the service's legality in Russia. Though the AllofMP3 statement made it sound like that was the key issue, it was not raised by the RIAA court filing. The trade group appears to have abandoned its efforts to use the Russian legal system to shut down AllofMP3, instead opting for pressure in the form of trade agreements and federal lawsuits back in the US, where it has more leverage.

The RIAA actually claims that the service is illegal in the US and that AllofMP3 has made a deliberate attempt to target its service at the American market, not the Russian one. The situation is analagous to that of offshore or British-based gambling sites that actually make most of their money from US punters. Though the services are legal in their own localities, the operators have routinely faced arrest if they set foot in the US, and the government has tried to restrict their revenues from leaving the US.

For now, AllofMP3 execs might want to stay out of New York.
http://arstechnica.com/news.ars/post/20061228-8515.html
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29. December 2006 @ 07:58 _ Link to this message    Send private message to this user   
Parent-activated game locks

p2pnet.net News:- Most of the major game boxes which turned up under the Christmas trees around the world this year arrived with a little something extra ---

--- parent-activated game locks. DRM so mothers and fathers can manage what their kids see and do.

Because, "Tucked into the interface of each are content-filtering software tools designed to give parents control over whether their children can play violent video games," says The Washington Post, going on:

"Microsoft's Xbox 360, released last year, features the same sort of functionality. Like the PS3, the Xbox 360 is a multimedia device that allows users access to the Web and the ability to watch movies. So the designers of those two devices included software that users can activate to make sure their children cannot watch R-rated movies or chat with strangers online."

Sony PlayStation 3 owners can set rating thresholds for video games and DVD and Blu-ray movies. "These settings are locked in with a four-digit PIN code," says the story. "The system digitally detects both ratings for movies and the separate ratings that video games are given by the Entertainment Software Rating Board, a group the gaming industry formed to decide which games are violent or have profanity."

Nintendo Wii has a four digit PIN code that must be entered to play or download games with ratings such as "M" or "T" and the Wi-Fi enabledWii, "also lets parents control whether their kids can go online with the system or receive messages from other Wii owners," the Post states.

Parents wose kids now have Microsoft Xbox 360, "can set the device so that it does not play movies or games with certain ratings. Parents also can control whether their kids are able to talk to people via the system's online 'chat' features. Owners can adjust these settings via the Web or directly on the console."

Meanwhile, "At one forum at Nintendo's Web site, where users converge to talk about the new system, one Wii owner asked last month if anybody had tried setting up a parental-control security code. Among the dozens who replied, none had. But one young correspondent said that he (or she) might use the feature preemptively," says The Washington Post.

But, "Now that I think of it, I might go set the code . . . so that my parents can't randomly decide to set them one day. Even though I doubt they will or know of [the codes'] existence," it has the poster saying.
If your Net access is blocked by government restrictions, try Psiphon from the Citizen Lab at the University of Toronto's Munk Centre for International Studies. Go here for the official download, here for the p2pnet download, and here for details. And if you're Chinese and you're looking for a way to access independent Internet news sources, try Freegate, the DIT program written to help Chinese citizens circumvent web site blocking outside of China. Download it here.

Also See:
The Washington Post - A Computer Game's Quiet Little Extra: Parental Control Softwar, December 23, 2006

p2pnet newsfeeds for your site | | rss feed: http://p2pnet.net/p2p.rss | | Mobile - http://p2pnet.net/index-wml.php

(Friday 29th December 2006)
http://p2pnet.net/story/10855?PHPSESSID=...62d9c5efc760d4a
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29. December 2006 @ 08:01 _ Link to this message    Send private message to this user   
Decrypt AACS movies

p2pnet.net News:- "This is real, any good java programmer can confirm this program make sense, and all that is missing is the decryption keys," posts muslix6 on the Doom9 forum, billed as, "THE in-place to be for everyone interested in DVD conversion".

"I already have a version that works with volume key instead of title keys," the post continues. "Even more powerfull!" And, "Version 1.0, with volume key support should be out on january 2."

Doom9 was where the FairUse4WM application showed up. It allows people to un-DRM Microsoft Plays[not]ForSure tunes downloaded through Windows Media-supported 'services'.

Now meet BackupHDDVD, "a tool to decrypt AACS protected movies," says muslix6, going on, "I was not aware of anyone having done that, so I did. BackupHDDVD is a tool to decrypt a AACS protected movie that you own, so you can play it back later using an HDDVD player software.

"This is the first version, and it's not very stable yet. This software don't provide any cryptographic keys, so you have to add your own keys. Watch:
http://www.youtube.com/watch?v=_oZGYb92isE. Executable and source code: http://rapidshare.com/files/8318838/...HDDVD.zip.html. Please read the FAQ before asking me any questions. Merry Christmas everyone!"

Same to you, muslix6. And a useful New Year. And all the best to the Blu-ray and HD DVD disc makers ;)

Meanwhile, below is his outline of the AACS farce which led to BackupHDDVD, or:

The Saga of decrypting an AACS protected movie
By Muslix64.

December 6:
I just bought a HD-DVD drive to plug on my PC, and a HD movie, cool! But when I realized the 2 software players on windows don't allowed me to play the movie at all, because my video card is not HDCP compliant and because I have a HD monitor plugged with DVI interface, I started to get mad... This is not what we can call "fair use"! So I decide to decrypt that movie. I start reading the AACS specification I have found on the net. I estimate it will take me about 4 weeks of full time job to decrypt that. I was wrong, it was in fact, easy...

BTW, when I disable my HD monitor, I can watch the movie,on my old VGA screen, but, what is the point of having a HD monitor and not being able to watch a HD movie on it!

December 7 to December 12:
Nothing, I try many things, but I'm going nowhere. I change my technique

December 13:
Now I focus only on title key. I was very surprise to realize that the title key is there, in memory! Can it be that easy? Around 7PM, I decrypt my first movie "pack". Around 11PM, I have now a totally decrypted movie! But there is a problem. Frame skipping.

December 14:
After many tests, I found a field in the Nav pack, that fix the frame skipping problem. Wow! Now I can watch a smooth playback of an HDDVD film that I have decrypted! After only 8 days of work, I was able to decrypt an HD-DVD movie! What's the problem? There is a major security problem somewhere.

December 15 and December 16:
I put together a small program called "BackupHDDVD", a java based command line utility to decrypt movies.

December 17:
I made a small video called "AACS is Unbreakable" where you can see the output of the program while decrypting. You can also see a playback of a decrypted movie.

December 18:
Upload that video on YouTube
http://www.youtube.com/watch?v=_oZGYb92isE

December 20:
Upload the program and source code on RapidShare (V0.99)

http://rapidshare.com/files/8318838/...HDDVD.zip.html

December 21:
I want to go further in the decryption, so I decide to track down the "Volume unique key" instead of title key. I found it also! I'm preparing BackupHDDVD V1.00, that will support volume key and title keys.

December 25:
Merry Christmas!

December 26:
I create a thread on the Doom9 forum about BackupHDDVD. People don't believe it...

Stay tuned.
If your Net access is blocked by government restrictions, try Psiphon from the Citizen Lab at the University of Toronto's Munk Centre for International Studies. Go here for the official download, here for the p2pnet download, and here for details. And if you're Chinese and you're looking for a way to access independent Internet news sources, try Freegate, the DIT program written to help Chinese citizens circumvent web site blocking outside of China. Download it here.

Also See:
un-DRM Microsoft Plays[not]ForSure - Microsoft vs FairUse4WM, August 31, 206
Doom9 forum - BackupHDDVD, a tool to decrypt AACS protected movies, December 27, 2006

p2pnet newsfeeds for your site | | rss feed: http://p2pnet.net/p2p.rss | | Mobile - http://p2pnet.net/index-wml.php

(Friday 29th December 2006)
http://p2pnet.net/story/10856?PHPSESSID=fe887d8e53ee049b0
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29. December 2006 @ 08:07 _ Link to this message    Send private message to this user   
Cashing in on Golden Oldies

p2pnet.net News:- People have always shared music. It's part of life. But Warner Music (US), EMI (Britain), Vivendi Universal (France) and Sony BMG (Japan and Germany), the members of the Big 4 Organized Music cartel, loathe the idea, saying it robs them of sales they're entitled to.

It's an argument as rubbishy as much of current over-priced, low-quality Big 4 'product' available online through the handful of corporate sites such as Apple's iTunes iPod loader.

But the Oldies are another matter. The labels say they're making making a come-back, although they've never been away. They're forever golden: quality music turned out by quality artists when music lovers were still customers rather than today's mindless 'consumers' being spoon-fed formulaic 'product'.

And in the UK, the Big 4 are adding Oldies, as well as downloads, to the Top Ten charts to pad the numbers and bolster the illusion that there's a viable corporate online market.

One of the reasons the free (in the sense of unfettered) sites and networks are the mainstays in the real world of online music, as opposed to the fake one the labels are trying to promote, is: they offer the full range of buyer-donated music that'd otherwise be kept locked up tight in corporate catalogues.

The Net offers a treasure trove of Golden Oldies, hard-to-find songs which, because the labels are hanging on to them like grim death, aren't available by any other means.

As usual, the Net has led the way and now, from Monday, "chart position will no longer be pegged to the sale of a CD single or seven-inch vinyl release," says The Independent. "Instead, digital downloads, which outstripped high street sales for the first time earlier this year, will dictate the risers and fallers in the Top 40. This means that any song available on the internet - including 'golden oldies' - could top the charts."

The move, "is likely to see older tracks brought to a new generation by TV shows, advertisements and films, or newly released digitally, shoot up the charts," says Guardian Unlimited. "Tests this year showed Mr Blue Sky by the Electric Light Orchestra in the charts after being featured in Doctor Who, and an old Aerosmith track charting after being sung by a contestant on The X Factor."

And, "Experts said that old tracks revived for television advertising campaigns and films, but not re-released - such as the post-punk soundtrack to the Sofia Coppola movie Marie Antoinette - could well reappear in the charts," states The Independent. "The soundtrack included songs by New Order, Siouxsie and the Banshees and The Cure."

The aim is, "to make the charts more representative of what consumers are actually buying and revitalise an institution that was looking past its sell-by date after years of declining sales," says the story.

Just think how much money the Big 4 could be making if hey offered every Golden Oldie they had at reasonable prices through not only the corporate sites, but also the independent online distributors.

They'd have so much money pouring in that they'd go cross-eyed trying to keep track of it

Instead, they'd rather fix their prices at artificially high levels and try to sue their customers into toeing the corporate bottom lines.
If your Net access is blocked by government restrictions, try Psiphon from the Citizen Lab at the University of Toronto's Munk Centre for International Studies. Go here for the official download, here for the p2pnet download, and here for details. And if you're Chinese and you're looking for a way to access independent Internet news sources, try Freegate, the DIT program written to help Chinese citizens circumvent web site blocking outside of China. Download it here.

Also See:
The Independent - Singles chart remix to favour golden oldies, December 29, 2006
Guardian Unlimited - Oldies but goldies benefit in digital revamp of charts, December 29, 2006

p2pnet newsfeeds for your site | | rss feed: http://p2pnet.net/p2p.rss | | Mobile - http://p2pnet.net/index-wml.php

(Friday 29th December 2006)
http://p2pnet.net/story/10858?PHPSESSID=...a6653df855b4f65

This message has been edited since posting. Last time this message was edited on 29. December 2006 @ 08:07

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29. December 2006 @ 08:50 _ Link to this message    Send private message to this user   
This worm wishes you a Happy New Year

By Marguerite Reardon
Staff Writer, CNET News.com
Published: December 29, 2006, 9:14 AM PST

An e-mail worm disguised as a New Year's greeting is making the rounds on the Internet.

Worm-laden messages are titled "Happy New Year" and contain an attachment called either postcard.exe or postcard.zip, according to experts at VeriSign's iDefense Labs, which provides information on security flaws and exploits. If the attachment is opened, malicious software is downloaded from the Internet and can infect computers running Windows operating systems.

Once a computer is infected, it looks for open mail proxies and begins spamming mail to infect other computers. The worm is already moving quickly across the Internet, at a rate of five e-mails per second on at least one large network, according to the iDefense Labs Web site.

Security experts say that although the virus looks similar to the Warezov Trojan horse that has plagued the Internet for the past month, it is actually a new variant of the worm and has been largely undetected as of December 28. iDefense performed a triage analysis of the threat and found that more than a dozen codes were installed on a computer from several worm and Trojan horse families. More than 160 e-mail servers are used by the worm to send out spam to potential victims, the company said.

High volumes of mass e-mails are usually sent around the holidays. This year has been no different, experts say. The spike in holiday spam is largely attributed to the fact that people have been more likely to open the messages.

Consumers have been shopping online more, desperate for gift ideas. They also have been expecting electronic greeting cards from friends and family. Malicious spammers have been able to exploit this expectation by designing Trojan horses that can fool unsuspecting users.

Antivirus software maker McAfee issued several advisories over the holidays, warning customers to be wary of such Trojans. On Wednesday, it cautioned users about a malicious e-mail attachment named Christmas+Blessing-4.ppt that installs software enabling attackers to remotely access a compromised computer.

Like many Trojans, the "Happy New Year" worm is not recognized by all virus scanners, so users should be extremely cautious when opening e-mail attachments, experts say.

"The period of greatest risk is through New Year's Day, when antivirus protection is the lowest for this new threat and users are most apt to click on a holiday-related message," said Ken Dunham, director of the Rapid Response Team at iDefense Labs. "Everyone should be on guard for e-mails and other content potentially harboring malicious code during the holiday period."
http://news.com.com/2100-7349_3-6146321....-0-20&subj=news
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29. December 2006 @ 09:04 _ Link to this message    Send private message to this user   
USER PROFILE HIVE CLEANUP SERVICE..........Log off Windows much quicker - From Microsoft. The User Profile Hive Cleanup service helps to ensure user sessions are completely terminated when a user logs off. System processes and applications occasionally maintain connections to registry keys in the user profile after a user logs off. In those cases the user session is prevented from completely ending.....(free).....GO THERE!
http://www.microsoft.com/downloads/detai...&displaylang=en


info

Overview
The User Profile Hive Cleanup service helps to ensure user sessions are completely terminated when a user logs off. System processes and applications occasionally maintain connections to registry keys in the user profile after a user logs off. In those cases the user session is prevented from completely ending. This can result in problems when using Roaming User Profiles in a server environment or when using locked profiles as implemented through the Shared Computer Toolkit for Windows XP.

On Windows 2000 you can benefit from this service if the application event log shows event id 1000 where the message text indicates that the profile is not unloading and that the error is "Access is denied". On Windows XP and Windows Server 2003 either event ids 1517 and 1524 indicate the same profile unload problem.

To accomplish this the service monitors for logged off users that still have registry hives loaded. When that happens the service determines which application have handles opened to the hives and releases them. It logs the application name and what registry keys were left open. After this the system finishes unloading the profile.
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29. December 2006 @ 16:38 _ Link to this message    Send private message to this user   
Turn iTunes into WiiTunes
Topic: Things

Snipshot_9417jph8uqp5 Apple's Airport Express is an excellent device for streaming music from your computer to your stereo; the only obvious drawback is that you need to control playback via your computer, which can defeat the purpose of listening on your stereo. (Of course, the problem goes away if you're using your computer while listening to the music.)

Owners of the Nintendo Wii can solve the interface issue by installing the Opera browser on the Wii and then running dot.Tunes on their Mac or PC. This streams iTunes music, including purchased DRM-ed songs, to the Wii (as well as your online friends who have the password), and allows graphical playback control on the receving end, unlike the Airport Express.

In the case of the Wii, you would control dot.Tunes/iTunes playback with your wireless Wii controller and a flash-based interface on your television set. You might be able to demo the software here (their registration process isn't working at the moment, so the demo is currently unavailable to new users).

dot.Tunes is free for fifteen days; after that, it costs $30, although if you register before the fifteen days is up, the charge is cut in half. I'm not sure how stable Opera's flash support is on the Wii, but if this system works (and assuming Apple doesn't include a monkeywrench in the next iTunes update), people like me who are considering buying the Wii have one more justification for buying one.
http://blog.wired.com/music/2006/12/turn_your_itune.html
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30. December 2006 @ 05:25 _ Link to this message    Send private message to this user   
Secret Tweaks
20 unexpected ways to unleash the true potential of the technology products you already own.


Jim Aspinwall
Friday, January 28, 2005 03:00 PM PST
Illustration: Diego Aguirre
http://www.pcworld.com/article/id,119267-page,1/article.html


Your neighbors are doing it. Your coworkers are doing it. There's no shame in doing it--even in broad daylight. I'm talking about hacking: your digital camera, your MP3 player, your network, and of course your PC. If it has a plug, a jack, a battery, a cord, a chip, a disk drive, or a display, chances are it can be reprogrammed and tweaked in some way to give you more speed, advanced features, or greater storage--without your paying for a whole new unit.

Hacks can run the gamut from simple software downloads, to involved hardware swapping and modification that sometimes requires specialty parts. I'll point you in the right direction and walk you through the steps to get the goods, do the deed, and enjoy the secrets hidden within your gadgets. But first, a few important notes about safety and other considerations.
Hacking Caveats

Be aware that many hacks will probably void the warranty of your system or of specific components, so until you get comfortable it's best to start hacking on hardware you aren't too attached to. Also note that while some vendors are much more tolerant of hacks and tweaks than others--Intel and NVidia even provide you with some tools--many manufacturers take a harder line and try to make it as difficult for you as possible.

In any case, you'll want to take some precautions before you begin:

* First, back up any data you have stored on the device, or start with a fresh system--hacking can render your PC useless in a nanosecond but cost you hours of restoration time.
* Download and safely store the original firmware or drivers for a device, in case something goes wrong and you need to get your gadget back in working condition.
* When tuning up your PC, measure and test your system before you start and as you hack so that you can tell whether you're doing more harm than good. Check out "PC Benchmarks Tell the Speed Story" in this article to find out what to test and how.
* Disconnect the power before working inside the case of any device. Be careful not to drop or leave tools, screws, clips, loose wires, or extra brackets floating around inside the case; anything conductive could short out a critical circuit.

In this article:

* PC Hardware: Free Speed: Overclocking Your PC
http://www.pcworld.com/article/id,119267-page,2/article.html

* Operating System: Make Windows More Efficient
http://www.pcworld.com/article/id,119267-page,3/article.html

* Networking: Optimize Your Net Connection
http://www.pcworld.com/article/id,119267-page,4/article.html

* Quiet PCs: Keep Your System Cool and Quiet
http://www.pcworld.com/article/id,119267-page,5/article.html

* Digital Cameras: Hacking Pictures
http://www.pcworld.com/article/id,119267-page,6/article.html

* Audio Players: Store More Music
http://www.pcworld.com/article/id,119267-page,7/article.html


* 10-Minute Tips
http://www.pcworld.com/article/id,119267-page,8/article.html



quote

INTERNET SPEED TEST..........The most accurate broadband Speed Test on the internet. Very easy to use. DSL, Cable, Dial Up, you name it, this one test covers them all. Results appear on the screen in a easy to understand format.....(free).....
GO THERE!
http://www.auditmypc.com/internet-speed-test.asp

This message has been edited since posting. Last time this message was edited on 30. December 2006 @ 05:32

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30. December 2006 @ 07:51 _ Link to this message    Send private message to this user   
Apple iTunes DRM troubles

Why me?

p2pnet.net News:- Apple is already deeply in the mire and shareholders "shaken" because of charges that documents may have been faked to maximise executives' profits.

Now it admits it's facing several federal lawsuits, "including one alleging the company created an illegal monopoly by tying iTunes music and video sales to its market-leading iPod portable players," says The Associated Press, continuing, "The case, filed July 21, is over Apple's use of a copy-protection system that generally prevents iTunes music and video from playing on rival players. Likewise, songs purchased elsewhere aren't easily playable on iPods.

"The plaintiff is seeking unspecified damages and other relief. The court denied Apple's motion to dismiss the complaint on Dec. 20."

When France looked ready to introduce a new law that would have forced Apple to allow iPodowner to download from services other than iTunes, Steve Jobs said it amounted to, "state-sponsored piracy".

And the Consumer Council of Norway claimed a major victory against Apple's iTunes saying it was close to winning case against Apple fort iTunes breaches of fundamental consumer rights.

Meanwhile, back in the US, just to rub it in, "Another lawsuit, filed November 7, alleges that the logic board of Apple's iBook G4 fails at an abnormally high rate," says AP, quoted in The Sydney Morning Herald. "The plaintiff is seeking unspecified damages. In a filing with the Securities and Exchange Commission, Apple said its response to the complaint is not yet due.

Appl, "also disclosed that PhatRat Technology LLC filed a lawsuit on October 24 alleging patent infringement," says the story, add:

"The Nike-iPod product in question, developed jointly with Nike Inc, allow runners to keep track of how far and how fast they've gone. The company's response to the complaint is not yet due."
http://p2pnet.net/story/10865?PHPSESSID=...44d36d11974c28f
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30. December 2006 @ 07:56 _ Link to this message    Send private message to this user   
The 'digital recording revolution'

p2pnet.net news view:- On October 8, the Australian Recording Industry Association (ARIA) proudly announced the creation of a new singles chart, "integrating for the first time data from sales of physical singles and their digital counterparts".

The new chart would combine its digital track chart which measures authorised digital download singles, and its physical CD singles chart and would effectively replace the old ARIA singles chart for use by TV and radio in their "top 40 countdown" shows.

This seemed like a great advance for the Australian recording industry. In its press statement, ARIA said it was "thrilled", and pledged to continue "to develop charts of the highest calibre for the Australian public and industry alike".

Record company advertisements invited consumers to purchase releases on DVD, CD and digital download.

But how much of the recording industry's digital revolution is real, and how much of the revolution remains rhetoric?

Currently, the most popular song in Australia is Chasing Cars by English band Snow Patrol. Dominating Australian radio playlists, it was heard by 1.8 million Australians over the closing credits of the Grey's Anatomy season finale, as well as in ER, The 4400 and One Tree Hill. Chasing Cars has been the most downloaded song from authorised Australian services for the past two months. Yet an examination of the ARIA national singles chart finds that the track is absent from the top 50. Why?

Chasing Cars hasn't been released in Australia as a CD single. It's only available as a digital download and under ARIA chart eligibility rules, songs aren't eligible to enter the ARIA singles chart if they're digital-only singles. They're only eligible to enter the digital track chart, and aren't included in the combined chart.

Put simply, a CD single which is unavailable as a digital download single can enter the ARIA singles chart, whereas a digital download single which is unavailable as a CD single is excluded.

ARIA's chart rules discriminate against digital downloads. Under the rules, approved by record companies through the ARIA Chart and Marketing Committee, unless a song is available as a physical single, digital sales simply won't count. It seems despite the embracing the digital revolution, a digital single isn't a single for Australian record companies.

Further, no matter how popular the song, a digital download can't be certified gold or platinum. Therefore an artist who chooses the digital market rather than the physical market can't be recognised for their commercial success.

While for record companies, the physical CD single "priorities" can "ship" gold or platinum based on the quantity of CDs sent to stores but not sold to consumers, genuine download hits purchased by consumers go uncertified and receive little recognition.

The disparity in treatment between artists who choose the digital market and those who stick to the traditional physical market is best characterised by the story about the Australian artist who reportedly shipped four-times platinum to record stores in November, only to see all of the CDs returned to the record company in the following February. Obviously it wasn't a digital download-only release.

Despite the self-generated publicity about the digital revolution, this is clear evidence that Australian and international recording artists who support download technology are being denied the opportunity for chart position, gold and platinum records, and status in an increasingly competitive market place.

Why are digital-only singles discriminated against?

The Australian recording industry is one of the few global recording industries that refuses to publicly release actual sales figures, including digital download figures. And yet, it purports to encourage consumers to eschew unauthorised services in favour of licensed services through piracy cases. So why not give artists supporting the digital revolution their due? If Snow Patrol is No1 on the digital track chart, why not include Snow Patrol in the ARIA singles chart? Unless of course, digital downloads are only selling a fraction of physical CD singles.

Could it be that a No1 digital only single might only appear at No5, or No10, or No15 on a combined digital and physical chart? If so, would this demonstrate that the Australian authorised digital download market isn't nearly as developed as the recording industry would like us to believe? Good old-fashioned record company self-interest may also be in play here.

Australian consumers who want a CD copy of Chasing Cars have three choices.

They can buy a physical CD import at a prohibitive cost, or "burn" a CD copy after obtaining a digital download, an action which despite (or because of) recent legislative amendments still raises substantial legal uncertainties in Australia.

Finally, consumers can purchase the Snow Patrol CD album just to obtain one song, and many already have. Snow Patrol's album Eyes Open is double platinum and sits at No6 on the ARIA albums chart after four months.

Of course record companies wouldn't want consumers to spend $20, or $25, or $30 to own a single song. Would they?

Alex Malik - p2pnet
[Malik is a music industry commentator and academic researcher at the University of Technology in Sydney. He's presently finishing his PhD in law.]
http://p2pnet.net/story/10864?PHPSESSID=...f60732f003c3750
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30. December 2006 @ 16:00 _ Link to this message    Send private message to this user   
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30. December 2006 @ 17:33 _ Link to this message    Send private message to this user   
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31. December 2006 @ 06:22 _ Link to this message    Send private message to this user   
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This message has been edited since posting. Last time this message was edited on 31. December 2006 @ 06:27

The_Fiend
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31. December 2006 @ 06:38 _ Link to this message    Send private message to this user   
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31. December 2006 @ 07:07 _ Link to this message    Send private message to this user   
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This message has been edited since posting. Last time this message was edited on 1. January 2007 @ 06:42

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1. January 2007 @ 06:49 _ Link to this message    Send private message to this user   
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1. January 2007 @ 06:54 _ Link to this message    Send private message to this user   
K-Lite codec Pack Update December 31, 2006
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1. January 2007 @ 07:18 _ Link to this message    Send private message to this user   
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1. January 2007 @ 08:40 _ Link to this message    Send private message to this user   
DRM: A nuisance or a brilliant strategy?

When thinking of DRM (those of us who even know what it is, of course), we likely think of something meant to hamstring our media enjoyment experience, something of an inconvenience that prevents portability between platforms (unless the offending part is cracked to allow it). Of course, we are told repeatedly that it is to 'protect' against piracy. But how many times are we told it might be a deliberate scheme to artificially recreate historical transitions to new technology and media? This is exactly what this article postulates in a very compelling fashion. Here is just one of the many points to what is a very unique perspective on the DRM phenomenon:

The most sublimely yet stupidly profitable periods for the recording and movie industries, respectively, were when music transitioned from vinyl records to Compact Discs and when home video transitioned from VHS cassettes to DVDs. Everybody bought new stuff -- the same stuff we already had but rebuilt using the new technology. We replaced our record collections with CDs and our video tape collections with DVDs -- exercises that generated untold billions for record companies and movie studios without any risk at all because all they were doing was repackaging established hits.

When I think of how much music these days (from country to what is now called 'rock') does not seem that original nor creative (well, except in a few areas like Latin pop/rock, where there is still some originality and creativity evident), as many songs seem like 'repackaged formulas' of previous hit songs of eerily similar sound, does this author's argument not seem plausible? Does it not seem exactly this way, that DRM is an attempt (in part) to lead us into forced technological obsolescene exactly in the hope consumers will have to spend that much more just to enjoy the same song or movie on a different platform or device? While it may seem to play into the hands of conspiracy theory lovers, does it not seem likely this is what motivates a significant part of the reason behind using DRM and fighting to keep it intact--instead of just 'giving the customers what they want'? You decide.

http://www.cdfreaks.com/news/DRM--A-nuis...t-strategy.html



DRM defined--as well as an important distinction

To any wondering what DRM is and what it does, this article defines it fairly well--especially considering that some product managers are not known for making 'technobabble' accessible to normal end-users. However, Gaudet does a credible job, as well as with explaining that ERM is not the same as DRM:

DRM and ERM share common technical concepts, such as encryption to control access to data and application- or device-level functionality to control usage. But DRM focuses on securing static content tied to a per-user access and usage license, while ERM focuses on controlling dynamic content tied to a business process that users may come in and out of on a regular basis. ERM enables companies to extend security to third-party partners, suppliers and customers.

Assuming ERM were the same as DRM, then the concept would mean for each time you tried to open one file with a different application, the user would have to pay to open it [just as a user has to currently buy the same file to have on a different platform (computer, Ipod, Zune, etc.)]--or each new user might have to pay to use the same file when accessing it. So ERM is not the same as DRM.

Just as a 'curve ball' to our readers: can you identify which vendor Gaudet favors in the article? Include this in your reaction, or feel free to react on any other related point for this article.



DRM vs. ERM: battle to control data
Important differences in often interchangably used copyright terms
Ed Gaudet


Over the past three years digital rights management and enterprise rights management have gained attention because of copyright issues involving digital media and leakage of sensitive data. Unfortunately, the terms are often used interchangeably even though they mean different things.

DRM and ERM share common technical concepts, such as encryption to control access to data and application- or device-level functionality to control usage. But DRM focuses on securing static content tied to a per-user access and usage license, while ERM focuses on controlling dynamic content tied to a business process that users may come in and out of on a regular basis. ERM enables companies to extend security to third-party partners, suppliers and customers.

Here are a few more key differences:

-- Content monetization vs. life-cycle control: DRM restricts the access and use of digital files; its business problem is optimal monetization of digital content while protecting the interests of copyright holders.

Today, this content is in the form of music and video files. The goal is to restrict content access to its owner, which is an individual consumer. By contrast, ERM controls access to and usage of electronic data in various formats such as word processor documents, spreadsheets, e-mail, PDF files and CAD diagrams. ERM allows for persistent control of content (regardless of where or when access occurs) and enables an enterprise to control access to intellectual property or other confidential business information that needs to be secured for privacy, competitive or compliance reasons.

Unlike DRM, which tends to deal with static and published content (one song to one consumer), ERM focuses on controlling information throughout its life cycle, and that life cycle is often highly collaborative.

-- The ecosystem and technical implementations differ: Both approaches include the notion of a policy server in which rights are defined, an encryption mechanism that controls access to the data, and a software client or device that enforces the policy (which authenticated user has what rights based on content).

DRM tends to focus on the media format and device, with the two most common systems offered by Apple and Microsoft. Apple's FairPlay software is exclusively tied to the encrypted Advanced Audio Coding format, iPod media player and the iTunes online store. Microsoft is more open with Windows Media DRM in that it licenses components of the DRM platform to other vendors for use.

With ERM, the controls are tied to the native applications, which have the ability to produce and consume protected data in several formats. For example, Microsoft Word supports a number of file formats (.doc, .txt, .xml, .dot, .rtf, .wps, .htm and .html). ERM enablement is accomplished with a provider's software developers kit (SDK) and associated APIs and delivered using one or more of the following approaches: natively by the application vendor, through a plug-in or by an ERM integration agent that leverages the strength of the SDK approach with the flexibility and time to market of a plug-in.

ERM solutions with SDKs include Microsoft's Rights Management Services and Adobe's Policy Server. ERM vendors by acquisition include EMC and Oracle, which use plug-in approaches to application enablement and do not offer an SDK.

Each approach has its advantages and disadvantages; however, only the integration agent provides cross-application control such as secure clipboard, the ability to support all of an application's file formats interchangeably, and enterprise-class management of multiple applications, which simplifies distribution, upgrades and integration.

As a steward of customer and corporate data, understanding the difference between the often controversial DRM and ERM is critical to your organization's agility and long-term success with controlling electronic information.

Gaudet is vice president of product management and marketing for Liquid Machines, which provides an ERM system that supports out-of-the-box integration with Microsoft's RMS. He can be reached at egaudet@liquidmachines.com.
http://www.computerworld.com.au/index.ph...;4194304;fpid;1

This message has been edited since posting. Last time this message was edited on 1. January 2007 @ 08:41

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afterdawn.com > forums > general discussion > safety valve > *hot* tech news and downloads, i would read this thread and post any good info
 

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